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Archive | September, 2007

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Listen to “Highschool Lover” by Air []

did it best with portrait illustrations of girls from his high school yearbook, but it was a project by wunderkind photographer , aka , that got me thinking about high school crushes. That project, “” displays a no-frills-at-all succession of 24 black and white yearbook scans.

These girls’ identities are placed only within the context of the author’s admiration for them, most likely an unreciprocated feeling. They’re portraits of tragic conflicts in emotional agenda– Cupid’s misguided arrows that strike every teenager at least once. Frozen in time, these girls, who have by now become young women, are even more distant than they were at the ground zero of their implicit rejection. Back then, they couldn’t give the author what he wanted– now, all they can offer is a universally identifiable sense of nostalgia.

It’s like out of : “At the high point of our intimacy, we were just 0.01cm from each other. I knew nothing about her. Six hours later, she fell in love with another man.”

I scanned the senior portraits of some of my own missed connections. A few of them I knew, most of them I never even spoke too. All of them are presumably straight, and a couple might even come across this post, adding a whole layer of Web 2.0 self-awareness to all of these misguided adolescent notions. Anyway, as I edge towards my twentieth birthday, here are a handful of ghosts from my almost-bygone youth:

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Date September 30, 2007
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José Gonzalez

Track Listing:
1. Angelo Badalamenti – Just You
2. Fast Computers – Invisibility
3. Shocking Pinks – End of the World
4. Digitalism – Pogo
5. Link Wray – Fallin’ Rain
6. Yoko Ono – I Felt Like Smashing My Face in a Clear Glass Window
7. Jens Lekman – Into Eternity
8. Art Brut – Nag Nag Nag Nag Nag
9. Glass Candy – Candy Castle
10. Tobacco – Untitled (excerpt from Fucked Up Friends)
11. José Gonzalez – Down the Line
12. Beat Happening – What’s Important
13. Devendra Banhart – Shabop Shalom
14. Vampire Weekend – Cape Cod Kwassa Kwassa

Perhaps, like in the picture above, you live in a huge loft full of antiques. You’re chilling out with your gay lover, Franz. Imagining that’s the case, you’ll say to him, “Franz, hand me the new Future Shipwreck podcast.” You’ll relax on a Baroque chaise lounge and Franz will fold his legs on the floor beside you. While he’s flipping through Life magazine, you’ll run your hand through his hair, and the first thing you’ll hear will be a campy, haunting love song of “Twin Peaks”. That’ll be followed by a fun indie pop tune by the band , who hail from Portland; and a song reminiscent of early New Order by New Zealand natives .

Shocking Pinks and Fast Computers

Abruptly, you’ll transition into a melancholy dance beat by German electronic duo , and then a world-weary folk ballad from ‘s stripped-down ’70s recordings. Before you know it, you’ll be in the middle of a fun song that calls upon the 1950s– an angst-filled smash hit from ‘s Approximately Infinite Universe. Jens Lekman won’t be too far off, with another catchy jingle from his brand new album, and then you’ll rock out to some sassy British music by .

Link Wray, Yoko Ono and Beat Happening

will take you back to Digitalism’s languid dance floor, and (of Black Moth Super Rainbow) will bridge the gap to a new recording by , the Argentinian Swede renowned for his haunting acoustic guitar strumming. Indie rock hall of famers will play a short but sweet verse before continues the ’50s revival with a groovy cut from his brand new album. Finally, New York favorites will send you off with a sunny afro-beat-influenced rumination on Peter Gabriel.

Glass Candy and Digitalism

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Date September 29, 2007
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Listen to “Pelf Help” by Mayday []

is an American designer who has spent the majority of the past decade establishing a reputation for himself as the hippest, most refreshingly unconventional designer around. From his early work with Takashi Murakami for Louis Vuitton, to collaborations with Sofia Coppola, to his distinctive (which have featured every hipster from Chloe Sevigny to Sonic Youth to Winona Ryder)– Marc Jacobs quickly defined himself as one of the only truly cool designers out there. Tom Ford may have the sex appeal, but the world of Marc Jacobs has been marked by depth and refinement, with an ample shot of youthful playfulness. Jacobs is cool because he understands how and are far more iconic and relevant than Gisele Bundchen or Heidi Klum.

I used to look up to Marc Jacobs as a gay role model. He’s one of our generation’s most prominent and relevant gay artists, and he (used to) refuse to pander to gay cultural conventions in his personal style or behavior. Finally, I thought– a high-profile gay man who’s self-confident enough to not care about waxing and tanning and looking like the archetypal . He was famous for his shaggy, bohemian appearance and oversized, bookish glasses. He looked every bit a Wes Anderson character come to life, and that was kind of groundbreaking for a gay celebrity. Marc Jacobs was untouchable. Everything was going peachy, until the Marc Jacobs we knew and loved vanished, replaced by an awful robotic replica.

At least that’s what I figure happened, because I can’t come up with a more valid explanation for the transformation that Jacobs has undergone this last year. Let’s break it down. Spring 2006: Marc Jacobs is on top of his game. For reference, from New York magazine calling him the “coolest, most influential designer”. He declares that awkward is nice, and triumphs nerdiness over de facto sex appeal. Not long after, Jacobs entered his mid-life crisis. He fell in love with a slick-looking young prostitute named Jason Preston, and quickly mutated into some horrible hybrid of avant-garde cool and West Hollywood cool. You can see the transposition of stomach-churning WeHo aesthetics at work in the side-by-side below:

The worst part about this whole sordid transformation is that in the Perez Hilton-dominated blogosphere, Marc’s new persona was deemed an upgrade. It seemed to be the consensus amongst gay bloggers that Jacobs had finally come to his senses and adopted the culture he was destined for all along. One excited South American commenter wrote, “Jesus Christ!!! How can Marc look even better each day?!? We love him down here, in !!!”

Then, early this year, Jacobs checked himself into rehab. For a moment, there was hope. Maybe, I thought, they’ll hit him on the head with a frying pan and reverse the traumatic spell that he’s been under lately– this whole thing could be a terrible Meth side effect they don’t warn you about in school! Much to my dismay, Jacobs came out of rehab looking than when he went in. Soon, he was posing on the cover of , showing off those gross abdominal lines that every gay porn star/ model constantly uses to rape gay culture.

He had his big spring show for the Marc line a couple weeks ago, and it seemed to reflect the schizophrenic schism that must be tearing the designer apart inside. Many of the looks were hybrids of two pieces sewn together down the middle, like some juvenile Project Runway competition. Most of the clothes weren’t even cute on a conceptual level. And I won’t even get into those he made for the Marc Jacobs line. I guess my point here is: , straddling the line between his formerly hip, intelligent self, and the hegemonic West Hollywood world that Jason Preston/meth/mid-life crisis/The Illuminati/Scientology is pulling him towards?! And if so, is there anything that can take him back from that hideous place? Or is Marc Jacobs gone for good?

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Date September 29, 2007
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I was lucky enough to get a chance to go to the this weekend, and it was pretty awe-inspiring. My friend Mark brought me along to cover the event for , the site I took pictures for last week at the .

Robot clones, Russian virtual reality cages, samurai cyborgs and mechanical DJs were scattered throughout the Los Angeles Convention Center, and I got a chance to document some of the madness and radness. Mark shot the video to the right and I took the photos below the jump. Enjoy!

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