Archive | July, 2009

0s & 1s

0s & 1s is a movie written and directed by my bud Eugene Kotlyarenko, starring Morgan Krantz (who I was in that Zune commercial with) and Jeremy Blackman from Magnolia. As Eugene puts it, “it uses the language of a computer operating system (from beginning to end) to tell the story of a young ruffian who must find his stolen computer.” The film is still in post-production but the brief trailer alone has got me hella jazzed to watch this cyberdelic mind-trip! Also, part of it was shot in my old living room. Watch out for 0s & 1s at festivals this winter!

Set Adrift on Memory Bliss

The Lana Show

lanashow

Lana Kim is an executive at the elite force of filmmaking masterminds known as The Directors Bureau, an agency that represents music video/commercial directors like Geoff McFetridge and Patrick Daughters. As if that weren’t cool enough, Kim moonlights as the host of The Lana Show, a web series in which she “interviews” (read: ensnares in a trap of entertainingly awkward, stunted banter) rad musicians like Blonde Redhead, No Age, and Sebastian Tellier in cramped storage closets and hotel room beds. In between the awesomely uncomfortable bits of unplanned conversation, each artist provides a personal playlist of their favorite music videos. You never know what to expect on The Lana Show — she even shot a recent episode with Saint Vincent in puppet form. And don’t miss her picnic table chitchat with Will Oldham, which includes an extensive discussion of Lana’s high school pooping habits.

If you happen to be in the L.A. area this week, check this out: Lana and her band will be putting on some sort of crazy avant-garde performance (which also involves my friend Michelle!) at the Redcat Thursday, Friday, and Saturday nights as a part of the annual NOW Festival. According to REDCAT:

The performance art inspired punk collective of Lauren Fisher, Stephanie Hutin, Lana Kim and Marissa Mayer portrays unpredictable artmaker-songwriters whose band, Jennifer The Leopard, aims to fuse feminism and cock-rock into a new genre of post-punk under the guise of an “all-girl band.” The band, popularly known as J-Lep, stages a multimedia event featuring songs about celebrity sightings and knife fights while it pits an on-stage “audience” against the real one in a show that is part bitchin’ rock concert and part post-studio pep rally.

Advocate Patrick Wolf Interview // JOSH Magazine

josh-pw

Quick update! I did an interview with Patrick Wolf for The Advocate that you can read here. He’s one of my favorite musicians, so that was pretty much awesome. Then also, I’ve got a couple of images in JOSH Magazine, a totally rad gay art magazine which is available online and at these fine vendors. I’ve been pretty busy lately with moving into a new place and working a bunch, but I shall update this blog as frequently as possible. In the meantime check out We Love You So, where I post every day of the week! Sweet!

Dear Michael

mj2

Kim Fields, the thespian who portrayed Tootie on The Facts of Life and Regine on Living Single, briefly toyed with a singing career in 1984. Releasing only two singles, Fields scored a minor club hit with “He Loves Me, He Loves Me Not,” but her true musical legacy will always be her cover of “Dear Michael,” a song that walks the fine line between innocent and creepy. Reversing the perspective of the original song, a forgotten tune off Michael Jackson’s 1975 album, Forever, Michael, the 25 year old Fields adopts the persona of a 14 year old girl completely consumed by her obsession with MJ.

The recording is irreparably fused with memories of the Facts of Life episode “Starstruck,” in which Tootie has a nervous breakdown after Mrs. Garrett tries to stop her from attending a Jermaine (!) Jackson concert. Tootie then forces her way into Jermaine’s dressing room with predictably depressing results. While the show couldn’t afford to pair the right Jackson brother with Tootie’s lovesick teenage heart, Fields’ song makes no concessions. Fossilized in the blissfully idealistic daydream that’s callously shattered by the stand-in Jackson brother’s beefy entourage on The Facts of Life, “Dear Michael,” captures a pure and loving (if unsettling) reminder of Michael Jackson’s relationship with America at the height of his career.