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Archive | Fashion

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He’s an 83-year-old queer experimental filmmaker, they’re the sprawling Italian family responsible for making the world’s . This is the fantastic video that brings them together. shot the family frolicking in a series of Italian courtyards in this ad for their Fall/Winter 2010 collection, and it’s kind of beautiful. I’m amazed how similar in its aesthetics and visual conventions this is to Anger’s work from the late 1940s and 50s, and yet how effectively mesmerizing the magic of Kenneth Anger remains. Once you find that sweet spot in your work, sometimes it’s a good idea to just linger there forever.

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Los Angeles-based cassette-only label distributed Ectoplasm Girls’ Forever Nothing album last fall in a limited run of 100 tapes that are available at and . Aaron Aldorisio of Living Tapes (and occasional ) described Forever Nothing thusly:

Utterly mind-destroying, dark, synth-heavy pop (but not synth-pop) experiments by two shadowy sisters from Sweden. You can’t really pigeonhole what the Ectoplasm-Girls do because they do a little bit of everything while somehow, magically, retaining a completely unique sound. Some songs are done in an electro-forest-folk-style (think Fonal), while other jams are more aggressively experimental. One cut even evokes the idea of an ultra-crude black metal artist taking a stab at drum and bass!

Aside from Ectoplasm Girls, Nadine Byrne has another music project called , an audiovisual experience where “every concert is a screening and every screening is a concert. The Magic State is sound and moving images, suspension of time, transcendence, mysticism, rituals and poetry. A magical state of mind and a physical sovereign place.” Sounds rad to me! The stills from The Magic State’s video component look amazing– they bring to mind one of my favorite video pieces, . With any luck, Nadine Byrne will come stateside sometime soon and we’ll be able to check out her video and performance work firsthand.

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I know Labor Day’s come and gone and the Autumnal Equinox is only days away, but Patrik Ervell’s is making me want to get all dressed up for an oceanside stroll. Or go for a leisurely bike ride in Stockholm or Tokyo– or Auckland, where it’s just starting to get warm.

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Even though he won the fancy in 1999 and the at Cannes earlier this year, I’d never heard of until I found myself flipping through the photos from Yohji Yamamoto’s latest men’s collection . Perhaps the venerable Japanese designer was following the fashion world’s recent shift towards self-congratulatory open-mindedness (i.e. Vivienne Westwood’s creepy , or Italian Vogue’s much-lauded – which was promptly followed by a return to the ), or perhaps Yamamoto simply decided that at the age of 65 he can pretty much do whatever the hell he wants, but in any case, the runway was strutted by a hodgepodge of highly unusual models. Amongst the de facto mop-topped pixies and intimidatingly high-cheekboned youngsters, the audience was treated to a handful of grandfatherly models (including one ) and– in the words of style.com writer Tim Blanks– the “defiantly chunky” British artist Steve McQueen.

I can’t help but think that Yamamoto had some irony in mind when he chose the handsomely robust McQueen as his proxy for a statement on the politics of body size: after all, McQueen’s much-acclaimed debut feature, , is all about using the human body as a political weapon. Centering on the final weeks in the life of of imprisoned IRA member , McQueen’s film examines the passion and struggle that fueled the . The film has been ruffling a few feathers in the UK over its seemingly sympathetic portrayal of Sands, but McQueen himself refuses to take sides. who baits, “I would argue, [Sands] comes out looking heroic,” McQueen responds, “Not for me … If he’s in a movie, people walk around thinking he’s heroic. It doesn’t matter what he’s viagra discountsin the movie, he will be thought of as heroic. That’s the movies. You put anyone in a movie, and people think that person’s heroic.”

viagra discounts with a cover photo of Tracey Emin ‘not winning the Turner Prize.’ McQueen was tucked away on page five,” wrote Iain Aitch on .

McQueen finally found himself in the public spotlight in 2007 with a work which, like Hunger, raises questions about the problematic position of the human body in modern politics. Selected by the semi-governmental to act as the nation’s official “War Artist,” McQueen’s resulting piece, , is simply a series of postage stamps depicting 98 armed service members who have died in Iraq. In a time in which images of the war dead have been banned in the media, when governments choose to sweep the idea of these unwanted corpses from an unpopular war under the rug, the UK’s Royal Mail service has to turn McQueen’s work into real commemorative stamps– even after an outpouring of public support for the project.

That McQueen has been able to cause such controversy by doing something so benign– something that isn’t explicitly pro-war or anti-war, and might actually viagra discountsthese casualties– demonstrates the beauty of McQueen’s detached perspective. Placing himself in opposition to the self-centered delusion fostered by micro-blogging, reality television and tabloid minutiae, McQueen steps away from himself and acts as an apolitical provocateur, presenting uncomfortable questions and allowing the audience to take their own positions.

Also, he’s adorable! Let’s hope he continues to pursue a career in modeling– I can definitely picture him as the new face of Dior Homme.

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Last night I went to the party/pop-up store/makeshift art gallery at a warehouse in Silver Lake. Mainly planning to check out the artwork by my friend , I stayed for the performance by , and ended up going home with the t-shirt pictured above.

Blood is the New Black is a T-shirt label that promotes artists of the “up-and-coming” variety by selling shirts with their designs on them. The one I got was designed by , a Kentuckyian sketchbook artist who draws distorted figures with a maniacal urgency that isn’t that far off from the world of ‘s adorable demons.

The line features collaborations with , , and of course, the luminous , amongst many more rad artsy types. At the moment, they’ve got a “blind bargain bag” deal happening online where you can get 5 random shirts from the artist that strikes your fancy for a mere $25. Nice!

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In the wake of Al Gore’s , the importance of environmental consciousness underwent a swift transformation in the arena of public opinion. Suddenly, “going green” had changed from a lame punchline about aging hippies to the hot new trend, quickly emerging as a marketing tool to sell everything from Saturday Night Football to Walmart. I initially feared environmental consciousness would soon be ushered out the door it had flown in, relegated to the trash heap of forgotten cultural movements like pet rocks and Beanie Babies. But the trend seems to be sticking, and there have actually been a lot of positive things to come out of this newly imbued American sense of social responsibility. For instance, convenient and (relatively) affordable applications of solar energy:


The rolled up sheet of flexible solar energy to the left is a , which for $479 provides 14 watts of energy– enough to re-charge most laptops in a couple of hours, and of course cell phones, digital cameras, iPods and all the rest of those fun portable toys. Also, it’s waterproof– so you can shove it in your pack and take it to the great outdoors, or blog while you’re living on a mountaintop in a tree house (assuming said treehouse is Wi-Fi enabled).

The handsome backpack to the right is a . At the low price of $199, it comes with 11 different adapters for easy connection to handheld electronics. Supplying you with 4 watts of solar juice, you’ll never need to come home and charge a phone again. And it’s only 2.9 lbs, including the battery and solar panels! Anyone want to get me this totally unnecessary, but absolutely rad bag for Christmas?

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    This past month I’ve been interning at Mean magazine. My friend Mya, who I met through , is a completely rad film director and journalist who created the movie , and recently became editor at Mean. She liked Future Shipwreck enough to invite me on board, and I’ve just completed my first two assignments for the magazine!

Last week was Los Angeles Fashion Week, so I went to the Jeremy Scott and Brian Lichtenberg fashion shows (which were both hella rad), took pictures, and put together a couple of write-ups that you can read in the “Web Exlcusives” section of .

Read the write-ups and then click on “continue reading” below for more fun photos taken at Jeremy Scott’s Spring 2008 show, “Men at Work”.

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Listen to “Pelf Help” by Mayday []

is an American designer who has spent the majority of the past decade establishing a reputation for himself as the hippest, most refreshingly unconventional designer around. From his early work with Takashi Murakami for Louis Vuitton, to collaborations with Sofia Coppola, to his distinctive (which have featured every hipster from Chloe Sevigny to Sonic Youth to Winona Ryder)– Marc Jacobs quickly defined himself as one of the only truly cool designers out there. Tom Ford may have the sex appeal, but the world of Marc Jacobs has been marked by depth and refinement, with an ample shot of youthful playfulness. Jacobs is cool because he understands how and are far more iconic and relevant than Gisele Bundchen or Heidi Klum.


I used to look up to Marc Jacobs as a gay role model. He’s one of our generation’s most prominent and relevant gay artists, and he (used to) refuse to pander to gay cultural conventions in his personal style or behavior. Finally, I thought– a high-profile gay man who’s self-confident enough to not care about waxing and tanning and looking like the archetypal . He was famous for his shaggy, bohemian appearance and oversized, bookish glasses. He looked every bit a Wes Anderson character come to life, and that was kind of groundbreaking for a gay celebrity. Marc Jacobs was untouchable. Everything was going peachy, until the Marc Jacobs we knew and loved vanished, replaced by an awful robotic replica.


At least that’s what I figure happened, because I can’t come up with a more valid explanation for the transformation that Jacobs has undergone this last year. Let’s break it down. Spring 2006: Marc Jacobs is on top of his game. For reference, from New York magazine calling him the “coolest, most influential designer”. He declares that awkward is nice, and triumphs nerdiness over de facto sex appeal. Not long after, Jacobs entered his mid-life crisis. He fell in love with a slick-looking young prostitute named Jason Preston, and quickly mutated into some horrible hybrid of avant-garde cool and West Hollywood cool. You can see the transposition of stomach-churning WeHo aesthetics at work in the side-by-side below:

The worst part about this whole sordid transformation is that in the Perez Hilton-dominated blogosphere, Marc’s new persona was deemed an upgrade. It seemed to be the consensus amongst gay bloggers that Jacobs had finally come to his senses and adopted the culture he was destined for all along. One excited South American commenter wrote, “Jesus Christ!!! How can Marc look even better each day?!? We love him down here, in !!!”

Then, early this year, Jacobs checked himself into rehab. For a moment, there was hope. Maybe, I thought, they’ll hit him on the head with a frying pan and reverse the traumatic spell that he’s been under lately– this whole thing could be a terrible Meth side effect they don’t warn you about in school! Much to my dismay, Jacobs came out of rehab looking than when he went in. Soon, he was posing on the cover of , showing off those gross abdominal lines that every gay porn star/ model constantly uses to rape gay culture.

He had his big spring show for the Marc line a couple weeks ago, and it seemed to reflect the schizophrenic schism that must be tearing the designer apart inside. Many of the looks were hybrids of two pieces sewn together down the middle, like some juvenile Project Runway competition. Most of the clothes weren’t even cute on a conceptual level. And I won’t even get into those he made for the Marc Jacobs line. I guess my point here is: , straddling the line between his formerly hip, intelligent self, and the hegemonic West Hollywood world that Jason Preston/meth/mid-life crisis/The Illuminati/Scientology is pulling him towards?! And if so, is there anything that can take him back from that hideous place? Or is Marc Jacobs gone for good?

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Digging through the database on Condé Nast’s , I found a few looks in the deluge of Spring 2008 collections that are actually kinda cool. Too many designers went overboard on the white, slapped nasty-ass roman sandals on their models’ feet, and thought they were being all clever with shiny synthetic Gortex-looking fabrics. But a few collections stood out:
 
 
The best looks in ‘s line seemed to be pulled directly from the suitcase of a b-list playboy on a tropical vacation in 1959. kept things modern with a lot of primary colors, strong lines and bold crosshatch patterns. 36-year-old slapped bright colors throughout his collection as well, but to a much more subdued effect. His designs seem inspired by dapper nerds, standing out while feigning nonchalance. I want a pair of those yellow shorts!
 
 
German designer ‘s collection is entitled “Beuys Don’t Cry,” in an awful pun that brings together the monochromatic dress code of and the baggy goth angst of The Cure. Luckily, all that doom and gloom is balanced out with vibrant splashes of Venice Beach colors.

Maybe it’s because of all the fedoras, but ‘s line kind of reminds me of drug addict/fashion icon Pete Doherty’s style– but better. The clothes look like they would be perfect for stowing away on a Mississippi River steamboat. ‘s spring line could be the wardrobe for an art student from the Hamptons, but a really fun one that you want to be friends with– not some snobby asshole who won’t give you the time of day.

Photos by Marcio Madeira for Style.com.


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