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Jiraiya 1998 – 2012

I vividly remember the first time I saw one of Jiraiya’s breathtaking artworks emblazoned on the cover of Japanese gay magazine G-men. At first I was convinced it was a photograph– but there was something about it that seemed too good to be true. No, an image this deeply impactful could only arise from an artist’s figurative fantasies, facilitated by the hyperreal precision of the computer as an artmaking tool.

Following the footsteps of Bara master Gengoroh Tagame, Jiraiya served as G-men‘s resident cover artist from 2001-2006. His cover illustrations are devoid of the frills of a background, devoted fully to depicting the bulging muscles and friendly facial expressions of his fantasy men. Their eye-popping bodies are rendered in a level of detail that can only emerge from a deep affection for the physiology of men’s bodies. Style of dress and the occasional prop hint at a larger narrative, but for the most part these artworks are fully focused on the majesty of the body.

The recently released volume Jiraiya 1998 – 2012 presents an extensive overview of Jiraiya’s illustrative and painting work in the context of a beautifully printed fine art coffee table book. It’s entirely rewarding to look at these images free of magazine cover headlines and blown up to a size where the physical wonderment of Jiraiya’s men can be observed in crisp detail. Additionally, Jiraiya has included brief notes in both Japanese and English on each image, explaining the origins and inspiration behind each of the images. While it costs a pretty penny to ship the book from Japan, it’s definitely worth checking out for anyone transfixed by these incredible images!


Jiraiya included a signed card with my order! Swoon.

Q&A: Shalo P.

Shalo P. is a fascinating character and an incredible artist. His drawings and cartoons are pulsing with life: frenzied, ebullient and occasionally frightening. They’re like psychic portraits, capturing a cacophony of thoughts simultaneously.

Shalo is part of a fantastic new show opening at Synchronicity Space in July, curated by Drippy Bones publisher Keenan Marshall Keller. It’s called Freak Scene and opens on July 6th. Check it out and read below for a breathtakingly epic interview with Shalo that touches on everything from the sex industry to fluorescent zebras.

Comment to win a set of two Shalo P. zines!

Do you ever think about time and your place in the history of the world?

It’s sucker business to quantify the importance of one’s deeds amid the irrational finality of dying or to measure one’s kaleidoscope of interactions on the assumption that the rest of humanity noticed some of them or not (as they naturally were enthralled by their own battles with time and death). History’s a term for what happens before and after the millisecond we exist. Time’s that everlasting absence spanning all the darkness of eternity in both directions.

I’ve always preferred the present. An environmental cataclysm looms on one side and a critical mass of expressive energy on the other – flanked by all sort of corporate scheme to sway the in-betweens into fake hippie dippy “self actualization” or Dracula.

Culture’s naked and wet in front of the mirror, clean from the digital bath that blends everything together – fucking hippies, beatniks, poets, fascists, devils, racists all sharing this same age – exposed to the same atom bomb of information and suffering the fall out radiation that’ll mutate them into something real interesting. Internet’s proven it wants to fuck and get fucked from its copious porn (erotic novels got published 150 years before the first scientific journals). But since the games is not only been sped up but broadened, the human psyche’s propensity for “whatever the fuck” will be bare when the next age looks over it’s shoulder (which is likely to happen concurrently – spiraling humankind into a self-conscience nervous breakdown that’ll have people attacking each other in the streets as the sea level rises and giant robot sharks leaping from buildings).

Old paintings revealed the ages that bore them and distinguished the few occasions when living wasn’t all that half bad – those were called renaissances. The poignancy is that everyone metaphorically participates if not by logging in and sharing some insightful facet of existence then by inaction. To me that sounds so cool.

There’s a scene in one of the final chapters of The Watchmen comic book where a character studies humanity’s hidden face through an array of television monitors – chiseling out meaning from it symbols, visual language and synesthetic swirl – revealing the tensions that would eventually break it.

Everything is possible. Everything’s always been possible.

With all this in the balance we’re only just crawling out of that horrible hole we call humanity.
(I hope history says I was a fine lover and a fabulous dancer.)

What would you be like if you were born in twenty years earlier?

I can’t go back twenty years into that pit of snakes. They’d tear me apart like last time – rake me down the street and break my heart again. I’d hate it. No way. It’s like I can’t get enough of the rampant sexism, homophobia, xenophobia, intolerance and exploitation in this age. Most people that have heard of me don’t know (but may suspect) that my skin is darker than others. This has also led me to a whole bunch of unnecessary racism, which would leap three-fold easily in that “in your face” sort of way. The false charms of the overdeveloped world come in vivid HD and polyphonic 5.1 dolby stereo, but at least it’s a transparent sham. I don’t romanticize the past. It never sounds quaint or heroic to me. It just looks like a shit storm of stone-age bullshit.
If I die today let them know I was pro-gay, sex-positive, pro-sex worker, pro-writing letters, pro-friendship, pro-dancing, pro-aware of stuff, pro-virtue over profit & pro-doing good. If I was sent back then I’d be asking God stupid questions about Scooby Doo rather than wikipedia. And where would I be able to find mind-bending video art streaming free as rainwater down a gutter?

Tell me about a friendship or relationship that ended in a way that changed you as a person.

I’ve learned everything from friendships. Friendships cured me of an awful childhood. One friend taught me that you can always be a child as long as you hate as purely as you can love.

Would you rather ride in a blimp or a submarine?

At the end of “You Only Live Twice”, James Bond turns to his sweetheart and whispers, “they’ll never find us” just as a submarine surfaces and raises their little boat onto its deck. If a blimp crossed the sky at that exact moment with the words “eat shit, baby” written on it, I could do with both while remaining with neither.

Given a private audience with all of the world’s leaders for a five minute speech (followed by a Q&A session), what would you want them to know?

part I

(I thought of this question for hours, Graham. I care about what I’d have to say if the “world leaders” were present. But who are these “world leaders”? What is there to say to the most corrupt of us? Any format of speaking to them would undoubtedly have a formulaic follow-up on their part to excuse inaction. How could I speak to them if they haven’t listened to any cries for compassion in all of history? They’re a joke and civilization’s been this long drawn out punchline giving us “the constant class war pretending to be anything else (racism, ethnic cleansing, you name it…)”. If I could keep it simple and the “world’s leaders” could hear it ring so true they’d act immediately I’d repeat the Utah Phillips quote “The earth is not dying. It is being killed, and the people killing it have names and addresses” But a human is merely an animal starving for power…)

part II

“You’ve failed us.
Poverty – a seven letter word starting with a letter P. Like piss. Like Powercastle. Not as “scary” as talk of terror training camps, or militaristic desert indoctrination, or stones smashing freedom’s windshield while it drops liberty and justice off at prom or a shark leaping over a Cadillac. But Poverty kills more than any war or other plague of mankind’s doing. Every day. Every minute. Every second. Death. Slow Starving Death. Sudden Violent Death.
It just sounds boring because it is banal – so banal no one really wants to deal with it. How are we going to stop poverty – give out nickels out to everyone we see?
The first step is in finally getting “somewhere”.

What do we have going now?
Sexism. Racism. Exploitation. Internet Spam. Death.

What are diamonds worth? What are a pair of child-labor sneakers worth? What’s an ounce of youth worth when it’s put through the wringer in order to only accelerate our present condition? What’s education when it stopped teaching us anything?

Has any government every truly represented it’s people?
Propagating the casual slavery of consumerism will not save a world from its murder. The gross national product of any country has no reciprocal environmentally. Leisure and work exist at different measures along varying degrees of class lines to equally abusive degrees. Both are killing us – if boredom doesn’t. What’s the next step? If it isn’t fucking you over and spraying “eat shit” on your walls then what is it? What is exploitation but always snatching away what you’ve been promised for so long?

Any political system is rife with asskissers and handwringers. Progress is mired when it’s just a popularity contest between assholes. Human cruelty, at a continuous peak is the only thing making strides. You want an evil dictator crushed? You want terrorism to end? It’s not safe for two men to kiss in public on 99% of the streets of “freer than thou” USA. A woman out of her place in most countries will lose some teeth for stepping out of line. Slavery and staunch castes systems – all still there.

We can see the substance behind beams of light in the nether reaches of space but can’t face what makes a human soul turn black.

We must deal with biological imperative – the sexual urge. Understand the exponential repercussions of its repression in societies – rape, spousal abuse, gay bashing, misogyny, child abuse, creepy catholic priests…

Let’s deal with the sex industry as if it has actually existed since the dawn of humankind and not as if it was a smudge of chocolate to be scrubbed away with violent force, alienation or intimidation. Your kind sons and daughters may or may not choose to participate in the sex industry – as patrons or professionals. It’s the destiny of all children to make due with where their genital will go. Unionize the sex trade. Don’t criminalize a trade you can never suffocate. It is bred by a natural impulse, it is tended to by human beings. Use your energy to combat those that profane this primal urge with child sex tours (the sport of your CEO friends), slavery (the trade of your CEO friends), and exploitation (remind you of any friends?).

Make reform in education your new priority. How about dancing classes? There are loads of talented smart insightful people at your disposal.

The consequences are real. World’s not dying – world’s being murdered. The systems of communication and group action are rearranging with the digital age – please be open to them. If they had introduced the printing press at the same time the earth was crumbling in half it would probably be the same situation.

Let’s stop treating all our women like shit.
Let’s acknowledge everyday that the wealth has been distributed so disproportionately that it’s affected our sense of humanity.
We’re a bunch of self-serving assholes and we probably all deserve to die. But we can’t die.
Who would tell all our stories? Who would sing our songs? Maybe the wind and the trees will echo them down.
Humankind cries from it’s first second of life with little variation until its demise. But there is always some form of beauty in that struggle.

We may have the technological advances imaginable (with more on the way), but we need to take account of what really fucking matters – you fucking scum!”

If you couldn’t be involved in the arts or culture in any way, what kind of career would you pursue?
I don’t know. I’d be a soccer player, maybe.
Most pleasures cannot escape the simplistic way I view art, like the interesting ways some people braid hair or the raw expression on a lover’s face that makes your stomach all weird.
A world without these things would resemble that big white room in THX 1138.

Describe the human being you would most like to meet.
I’m not as fond of human beings as of what they are capable of.
I always love a good story and I’m always ready to hear one.

You can select any non-domesticated, exotic animal to be your lifelong companion and share a telepathic bond. Which one will it be?
I’m so hard to get along with that it’d have to be one that wouldn’t gore or maul me. I’d like a fluorescent zebra.

What can I do to help the world be more like Shalo’s utopia?
I can’t fathom my own utopia. But when I see people make out I always nod and think “right on”.

Photos: Matt Furie + Michelle Devereux at New Image Art

Longtime Future Shipwreck favorite Matt Furie and Michelle Devereux currently have a fantastic show on display at New Image Art. It’s called The Goblin Universe and it lives up to its name, laying claim to a slew of cosmic creatures, steaming slices of drool-worthy pizza, alien beasts and graph paper. Check out photos from the opening:


Matt Furie


Newleyweds Rachel Pitler and Michael C. Hsiung

Giveaway: Mike Mills’ Beginners

Mike Mills is one of my favorite multi-hyphenate creative people, and has been for a long time. Back in the era of my tidal obsession with Air’s Moon Safari, I read up everything I could on the band, and Mills– the designer who’d crafted their rad cover art. I watched as many of his music videos as I could track down with the middling assistance of dial-up internet and my primary pre-YouTube rad video source, the late great RES Magazine. Ever since then, Mike Mills’ creations– in print, feature filmmaking, documentary, graphic design and music video have only grown successively more and more awesome.

His latest endeavor is his most intimate and most emotionally evocative work yet, the film Beginners. It tells the story of a sad graphic designer (Ewan McGreggor) learning to love (Melanie Laurent) late in life, and his elderly father (Christopher Plumer) who comes out of the closet in the twilight of his life. It’s a simple story but its scope is epic: it’s about mortality, growing up, the unchangeable nature of historical circumstance and seeking connection in a disconnected family. As heavy Beginners‘ themes are, Mills juggles story and concepts with significant grace, blending melancholy and humor in a way that somehow manages to reveal the intimate inner lives of his characters.

Beginners is in theaters now, and I strongly urge you to check it out on the big screen. And luckily, since Mike Mills can’t be confined to one medium, he’s released a companion book to the film called Drawings From the Film Beginners. It’s full of funny and charming sketches that relate to the Ewan McGregor’s character in the film, who also designs album covers for a living.

Thanks to Focus Features, I’m stoked to announce that we’re giving away a copy of the book, as well as a dropcard that will let you to download the Beginners soundtrack for free. Comment with your favorite work by Mike Mills and we’ll choose a winner at random this Friday!

Lisa Hanawalt: I Want You #2

When you were eight, nine years old, did you love Dilbert or The Far Side or Cathy? Jump Start? For Better or For Worse (if you were a total dork)? Those were simpler, blissfully ignorant times, before the veil of childhood was lifted and the funnies quickly lost their luster. Grown-up comics gave way to the operatic brooding of superheroes, or alternately, the navel-gazing existential musings of indie comics. Neither genre is widely known for its guffaws and belly laughs. Lucky for us, we’ve still got weirdos like Robert Crumb, Matt Furie, and Johnny Ryan running about, producing deliriously funny cartoons.

Add to that list another comedian undercover as an artist: Lisa Hanawalt. Hanawalt’s formal artistic skill is unparalleled, suave and refined– so graceful and gorgeous, it’s doubly fun to watch her gleefully defecate upon it with an array of dizzyingly crude subject matter. Hanawalt’s work is the perfect mixture of adorable animals, gentle bon moths, and beyond the pale dead baby jokes, poop jokes and/or dick jokes. I can almost picture her as a happy little kid, obsessed with drawing majestic stallions, before something deliciously insidious crept into her mind and persuaded her to draw deeply unsettling, even nauseating images of anthorpomorphized creeps and unstable human bodies from beyond the uncanny valley.

Check out pictures from the second issue of her excellent comic book I Want You, below. The Fan Mail page is especially awesome, and paints a picture of Hanawalt as the type of person who’d be more than just a little bit fun to hang out with. Don’t miss her fantastic new series for The Hairpin, “Rumors I’ve Heard About Anna Wintour.”

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Interview: Becca Kacanda and Victor Cayro

It’s an important question to ask an artist: “Why do you make stuff?” At its core, the answer I’d always love to hear an artist say is, “I make stuff for myself.” It seems to me that those are the artists that show genuine talent. So, what happens when you ask two people– partners in life and art– to try and describe the force that drives them, and the things in life that got them to that point?

Victor Cayro and Becca Kacanda are a couple, and they’re both incredibly prolific and inspiring artists. I first began my working relationship with Victor and Becca when they participated in a show that took place at Synchronicity Space, under the moniker Big Apple Graphicxz. Since then, I’ve received epic, epic emails and occasionally a phone call that leaves me in awe of their superhuman character.

Here, Victor Cayro and Becca Kacanda on the question of: Why do you make stuff?

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Amy Lockhart: Dirty Dishes

Dirty Dishes, a book of illustrations and paintings by outstanding Canadian animator Amy Lockhart. We share her love of angry ladies and the sheer terror of human bodies. Published earlier this year by Drawn & Quarterly.

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Mike Perry & Anna Wolf on Facial Hair

Brilliant graphic designer Mike Perry and his photographer girlfriend Anna Wolf, talking about art and facial hair for the non-profit organization Movember which fights cancer and shaving, two of society’s greatest ills.

Via Matt Rubin!

Giant Robot’s Post-It Show 6!

Every winter around this time, Giant Robot invites a boatload of marvelous artists to make original pieces on the unsung canvas of the Post-It. Hundreds of these tiny pieces are currently plastered on the walls of GR2, going for just $20 each– a bargain-basement price for many of these artists.

Last year and this year, I volunteered to assist in the intricate process of hanging this massive show. My reward was a sneak peek at the smörgåsbord of miniature masterpieces, which led me to determine with laser-point precision exactly which Post-Its I needed in my life. The three above were my selections from this year’s collection, crafted by (clockwise from upper left) Christina Song, Greg Clarke and James Chong– three artists I didn’t know from adam before this show, but to whom I now feel a deep-running affection.

Stop by Post-It Show 6 before it closes on January 12th! Below, check out the Post-Its I picked up at last year’s show, from three of my favorite artists (and one dude whose name escapes me).

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Hell’o Monsters

Mysterious corridors, chutes and ladders, and endless reflections in infinite video screens: these are the dark, delicious tropes of Belgian art collective Hell’o Monsters. Somewhere between Geoff McFetridge and M.C. Escher, the creepy creatures and architectural compositions crafted by Hell’o Monsters confound and enchant with a style all their own. I wish I could get an entire wall in my apartment painted by the clever folk behind Hell’o Monsters. I would just stare at it forever!

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