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An Awesome Book of Thanks!

I’m proud to be a part of Dallas Clayton‘s life. His ideas are awe-inspiring and revolutionary, but he has a real knack for wording them in a way that everyone can understand. And then he illustrates them with a subtle sense of humor and grace that seems seriously scarce in children’s books these days. I’m proud to have been a part of the journey his sophomore book, An Awesome Book of Thanks, has taken two pages of text to a painstakingly detailed series of drawings, to an endless series of TIFFs and PDFs, to an actual book that you can touch and smell and put in a child’s hand and see their face light up.

Watch out the video that I made with Dallas to announce the new book, and then read An Awesome Book of Thanks for free! If you’re in L.A., don’t miss Dallas’ book launch party at Family this weekend. There will be cupcakes!

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Change Your Relationship to Nature

Becky Stark, ethereal singer, advocate for peace and love, and gifted sloganeer, has teamed up with Rhode Island animator Peter Glantz to manifest a series of prints and videos called Peter and Becky’s Fun Fun Slogans! Their latest transcendentalist message for the world is “Change Your Relationship to Nature” and the accompanying print features an awe-inspiring drawing from the unbelievably skilled hands of nature-loving genius Kevin Hooyman.

Hooyman spent more than 100 hours drawing and coloring the image for this print, and it shows. Take a peek at the incredible piece after the jump, and watch Becky and Peter’s earlier collaboration with Jacob Ciocci of Paper Rad: a music video for Lavender Diamond‘s “Like a Prayer.”

+ Comment on our Facebook page with ideas for how to change our relationships with nature! The comment with the most likes on Tuesday at noon wins a free print.

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Interview: Jason Villegas

Ed. Note: I’m pleased as peaches to present the following feature on artist Jason Villegas and his magnificent multi-dimensional artwork. Below you’ll find an insightful interview by Dan Rosplock, alongside exclusive portraits shot by Landon Metz. Don’t miss our unprecedented giveaway of Jason’s original art piece!! – Graham


Like energy and matter, meaning cannot be destroyed, only redistributed. The symbols in Jason Villegas’s artworks are the children of complacent capitalist icons born into an unpredictable environment. As such, they retain something of the glamorous impact of their forebears, yet their uncertain future has forced them to become more versatile. These are cyborgs, war machines, strange hybrids and channelers of mystical energy suited for survival in any scenario. Villegas is one of those rare creative personalities who seems to be able to reform any cultural construct or market force no matter how concrete or abstract into something more resilient, useful, and, above all, beautiful. He recently took some time to talk to us about such diverse topics as globalism, mainstream Bear aesthetics, and how he came to be a master seamster.

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Julia Pott: Howard

Howard is a bittersweet animation from the brilliant British illustrator Julia Pott. She’s also made great visuals for The Decemberists and Casiotone for the Painfully Alone, and a fantastic little non-fiction animation called My First Crush.

Toshio Saeki

Toshio Saeki is basically the Ash Ketchum of weird art-sex. Now, I’m assuming that most of you out there are well-schooled in Japanese aesthetic conventions and fervent Pokemon enthusiasts, but for the benefit of the small minority of you who are confused by this assertion, allow me to provide some context.

Long before American pop art theorized its ideal synergy of beauty and capitalism and even longer before the ascendency of the almighty Pikachu™ and his kawaii brethren, there were Ukiyo-e or what might be more simply (and perhaps somewhat reductively) understood as the genre of woodblock prints. These prints, designed to be produced and sold in moderate quantities, occupied a cozy but unstable niche between commercial art and the revered aesthetic standards of antiquity. They also, like the aforementioned Pocket Monsters franchise, performed the venerable function of synthesizing popular folklore into an iconic and highly collectible format.

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Megan Whitmarsh: The Tale of Monster Island

[ Ed. Note: Please welcome stellar curator Katie Vonderheide of Synchronicity Space to Future Shipwreck! - Graham ]

I met artist Megan Whitmarsh through an e-mail I sent her before moving to Los Angeles three years ago. At the time, she was pregnant with twins and we talked art, L.A., and me helping to assist her once she had her girls. She is one of my favorite people to talk to, because she speaks in a thoughtful, genuine, and intelligent manner that is topped off with a great sense of humor. It’s the same approach she takes towards her work.

Rather than conducting an ordinary interview, I wanted Megan to share a true story from her past. Sometimes it’s inspiring to be reminded that artists lead fantastic lives full of amazing experiences that influence and harmonize with the work they make. I’m excited to say, at Graham’s eager request, that Megan will be sharing a scintillating story once a month here on Future Shipwreck!

I lived and went to grad school in New Orleans in the mid 90′s. We used to go to this dingy restaurant in a cheap hotel called “The Hummingbird” for breakfast and they had signs all over the place that said things like “all hamburgers are cooked medium” and “No talking to yourself”. I had two friends that had jobs where they made little or actually negative money. My friend Theresa Columbus worked at this place called Tina’s as a morning waitress. She only got paid in tips. The most she ever made was $2.50 but she still worked there for almost a month because she felt sorry for Tina. My friend Ken Como got a job selling Manuel’s Hot Tamales out of a van on a street corner. He said Manuel told him “I usually hire cripples and vets but you can have the job if you want it.” He was to be paid $1 for every 6 dollars worth of tamales he sold. At the end of his first day he owed Manuel $3 because he had eaten one dozen tamales (they were small) and only sold 3 dozen. Also everyone in New Orleans had crazy names like Strawberry and Pigeon and Biscuit and Chicken and Squishy and Otter.

We lived in a warehouse we called “Monster Island” and had shows to make money. We had a circus once on my birthday– me and Panacea Pussycat and another girl dressed up as tigers and leopards and jumped through a flaming hoop. We had an alligator man who was a friend of mine with magic marker scales drawn all over him that remained for many days. In retrospect it seems kind of “burning man”. We used to buy beverages at this place called Suda Salvage that sold things that were discontinued or maybe had fallen off a truck somewhere. They had a lot of food items like raisin pie filling and we got really toxic cheap wine and beer and one time this schnapps called “Shooterita” that was tomato juice flavored. It was so disgusting that we would give a free drink to anyone who drank a shot of it. During termite season the warehouse would be infested and one time we swept up all the termites that had just died naturally over the course of a few days and made a heart-shaped pile that was about 10 feet in diameter and inches tall. The warehouse was so big we could drive all our cars in it and sometimes we had a drive-in night and showed movies on a sheet. There were no windows no kitchen. We used the bathtub to wash our dishes.

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Zachari Logan

Nudity: the way it approaches you tends to shape your emotional response.

Last week, for example, I was out with my old roommate, discussing his new roommate: “It wouldn’t bother me if the guy walked around totally naked all the time. It’s just that he walks around wearing a shirt with no pants,” he said. “Like, he’s got a t-shirt on with his dick hanging out. It sneaks up on you.” “Does he wear shoes too?” I asked. “Oh no. Thank god no. If he was gonna do that I’d just move out.”

In graphite and pastel self-portraits, Toronto-based artist Zachari Logan has got the perfect approach down. For several years he has sustained a body of work featuring only his own body (and the occasional cat) as a masculine archetype. I especially like his collection of specifically pants-less drawings, which seem to explore the sort of phallic narcissism that my former roommate fears at his current residence.

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Brecht Vandenbroucke

The illustrations of Belgian savant Brecht Vandenbroucke conflate childhood, pop culture, the Internet, fine art conventions, sad jokes and melancholy musings in an unnerving framework of zig-zagging diagonal lines, sad memories and nudging jokes rendered in delightfully muddled confectionery colors.

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Matt Furie x Giant Robot

Matt Furie: everything he does is awesome. I’ve yet to be disappointed once by the incredible things Mr. Furie creates, and his contributions to the new issue of Giant Robot are no exception. The cover story features a seven-page interview, awesome illustrations of broccoli basketball players and Beelzebub bassists, and best of all: a CD-ROM of Return of the Quack, a video game with artwork by Furie. If you’re unable to get your hands on a copy of Giant Robot 67 right away, I’d suggest playing the free bonus level from Return of the Quack online, to hold you over.

Giant Robot 67 also includes a great interview with Jillian Tamaki, an investigation into Japan’s obsession with tricked-out big rig trucks, and Michelle Borok‘s gorgeous travelogue from her journey through Mongolia. It’s chock full of radness!

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Dallas Clayton’s New Site

Dallas Clayton has a new website that houses his poems for grown-ups. It’s filled with incredible illustrations, photos from his wild adventures on the road (touring elementary schools with An Awesome Book), videos and some of his best writing from the past and the present. It is rad and I can say that with confidence, as I helped him design it. Add it to your bookmarks ASAP, and if you’re on Tumblr, follow him! Take a look at some particularly excellent Dallas Clayton drawings and writings, after the jump.

Previously:
+ Video: Dallas Clayton on Opportunities
+ An Awesome Dallas Clayton Interview

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